'A Critical Appreciation of Wallace Steven’s\r'

'The beaker of the poem, a man, is travel down a beach with a friend and hears a woman tattle. He muses on how the levelheadeds of the ocean contrast and remind her interpreter. He imagines t assume she is as beautiful as twain her metrical composition and the ocean. Though he doesnt actu onlyy chat the womans face, the verbalizer knows that she is lovely. As he walks seat her, the talker notices how her bright, lively voice compares to the dark sounding sea. To him it is virtually as if the ocean was a tincture whose voice they could not hear, but k refreshing was there. For or so of the poem St tied(p)s paints a picture of n ocean that is some(prenominal) bewitching and surreptitious at the same time.In turn, the womans meter is do mystical and alluring because of the setting. Though we, the readers, dont see the woman or hear her song, we meet the exchangeation that the sea, the city, and the talker go d iodine. In the fourth stanza the tone of the poem turns d arker and the speaker begins to notice things other than the woman, her song, and the ocean. He claims that it was her voice that made the sky clearer and the ocean belonged to her and her song alone. He and his companion realize hat the only public for her was the â€Å"one she interpret and, singing, made. In the seventh stanza we learn the trace of the speakers companion: common sage Fernando. He (the speaker) asks Ramona why things looked different after the secret woman finished her song; her song made the city lights brighter and more enchanting than they were before. At this point we realize that the speaker has had an epiphany. Some critics say that the speakers epiphany was Stevens way of presentation the importance of art. With place it, and in this case without song, we would never be able to see the human Leary. The womans song opened up the speakers look to the light of the world around him, and in turn the poem itself opened up our eyes.The poem focuses on the perception of whim and worldly concern. In this poem, reality pertains to the totality of all things possessing actuality, existence or essence; vision, on the other hand, captures and interprets reality so an single is able to create their own intend of the given world, and escape the facts of existence through their own sense of creativity and ingenuity. At the beginning of the poem the speaker seeks an adjudicate to whether the song exists through an external reality or within his ability to mull over this into something personal.Throughout his walk the speaker never in truth determines whether the song is an external reality or within his own liking, Stevens proposes that the song is neither, since one is not able to exist without the other. b localize on the end of the poem, the speaker muses upon the womans song and determines that she is both of song and sea, thus his enjoyment is derived out of a fusion of his imagination reading the voice on with an external co gnisance of his surrounding reality.Above all, Stevens captures and portrays this theme through his intelligence of the human condition which perceives the inhuman as human. Throughout â€Å"The root word of Order at Key watt” the cashier patently attempts to distinguish whether the song he hears is the seas waves singing to the womans voice, or if the vocalisers tune is his imaginations perception of the ocean. To solving this question, Stevens suggest that the narrator must inquire and recognize the difference between imagination and reality.Since the sea is an external nature which causes a implicationless â€Å"constant cry and cannot be â€Å"form to mind or voice”, the speech admitr must distinguish the oceans image and love seat through the singer. Likewise, her ability to utter the sound of the waves â€Å"word by word” dish ups to transform the inhuman song of the sea into the only if human song of the woman. Moreover, as the singer measure s and interprets her song; the ocean standardizedly analyzes and follows the laws of nature.As the speaker begins to perceive that the song is more than the sea merely singing through the womans voice, he begins to feel a sense of ineffability which goes beyond the mere dustup of the tune and control of his walk. Thus in stanza went eight he states: â€Å"But it was more than that, more even than her voice, and ours” The narrator begins to accept the mystery behind the songs blissfulness and acquires the tune as the driveway spirit of all the external realities in his presence.This realization of the songs ineffability makes â€Å"the sky acutest at its vanishing” (35) and â€Å" measurable to the hour at its solitude”. For Stevens, these acts of indication are essentially human acts which help people come in lead with themselves and the world around them in rove to experience the Joys of being one with both themselves ND nature. Within the final lines of the poem, Stevens relate the title by connecting with and relating to our desire for staged experiences and sympathizes among us since we always try to make the inhuman human.Thus at the ending, the womans song guides the narrator and helps to clear the vision between the enjoin which humans seek of the natural world: â€Å"O! Blessed rage for place”. Likewise this cognizance opens â€Å" perfumed portals”. The â€Å"fragrant portals” are important because they open a new door to an edifying new self-awareness. Moreover, as narrator begins to apprehend the wont of the womans song, he realizes that the song allowed him to see lay in the world.Additionally, the song produces from within him a desire to create his own song, in order to interact and correspond with the imagination of others Just like woman has make to his. Stevens understanding of the human condition serves a great purpose in â€Å"The Idea of Order at Key West”. Stevens portrays the n arrators experiences through the reflection of his thoughts. When the voice comes along he begins to change his way of sentiment because she helps him understand and become conscious of the whoremonger of his imagination.Through the language of â€Å"The Idea of Order at Key West” Wallace Stevens expresses his perception of the world. His thoughts and language become his instruments that craft the poem. Through the readers of the poem, Stevens captures and engages them: â€Å"It is the stunner and not life, which art really mirrors” (Oscar Willed) As the spectator mirrors this form of art and interprets meaning into the works allurement, they becoming cultivated and enlightened. As a poet, Wallace Stevens believed that poetry should be similar to a work of art. And like a work of art, Stevens poetry helps his readers discover order in a chaotic world.\r\n'